Modern Theory/Theory Of Everything In Modern (Ink And Wash) Painting Practice?

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"(References) There are many common connections between science and art. They all start from the attention and record mode, spatial mode, time mode, process mode and behavior mode. They are all carefully designed and repositioned in essence and meaning, and finally connect the initially seemingly unrelated patterns. Art and science are related to the disorder transformation of order, the creation of tension and the relaxation of tension. Both efforts are deeply rooted in culture and heritage; “Both have expanded our awareness and sensitivity to nature and our own events”~Dr. Frank Oppenheimer(1912-1985), American particle physicist, and founder of the San Francisco Exploration Museum

"(References) The greatest scientist and artist “~Albert Einstein(1879-1955), excerpted from The Expanded Quatable Einstein, collected and edited by Alice Calaprice, 2000, page 245

I am From the perspective of European artists who have received traditional academic training, I was asked to clarify and expand several parts of views and papers in Beyond Calligraphy in 2013. Here, I will try to explain what I can say; use language to express the revival of the basic cognitive creative process; i am almost painting. From the beginning of being a painter and painter’s performance, he intuitively applied this point and worked hard to apply it for more than 20 years.

"(References) They are Xiamen artists. In the process of exploring the creation blueprint, constructing and building a consistent image, they make constant efforts to transcend the noise of visual crowds and surface details in order to communicate with major games with opposite values. They paint from two aspects, one is personal, the other is intimate, and the other is a universal aspect emerging from the life giving tension. Somier’s painting from the perspective of European artists receiving traditional academic training:~A.F.Krupa, “Beyond Calligraphy”, 2013

What is it about? I must admit that I have found an explanation for my own art works. Based on my internal charge and feeling, outside the field of art, in the field of theoretical physics, namely the so-called String theory;

In short, string theory is the theoretical framework for understanding all the forces in the universe(i.e., the theory of everything). He also advocates that all matter and energy in the universe are composed of one dimension string. In addition, string theory holds that there is no 3+1 dimension in the universe(3 is space dimension, while point, line, space and time are 4 dimensions), but there are at least a dozen(or more) space-time dimensions.

The more books I read about string theory, the more I understand my artistic exploration and career of the first dimension(or nonexistence), goodness and the illusory movement; dimensionless Space, that is, 1-dimensional plane(in a short time) is a part of basic architecture/painting/painting, corresponding to scientific research on the concept that 1-dimensional string(string) is the basic material of all substances and energies in the universe.

I realized that pulling up the ink line(or something else) showed the most basic essence. That is to say, the reduction of expression means is limited to the choice of line direction, length and thickness(minimalism, reductionism, Hakubu). Multilevel(starting from 3+1) and mathematical basis(the brain is created on a half/multi-level level, and the artist is a sense/feeling and spontaneity(Informationism/artistic compulsion?) have. But it basically represents a mathematical score, a fragment, a vector(such as what we see in music), and the artist’s mind only recognizes and monitors what already exists; gravity; force, direction and tectonic block; blank” The surface of wood, canvas, paper, and the artist’s heart are here through insight into other things; alternative dimension – the most common and meaningful heart, that is, the hidden form we cannot see; materials” The nature observer can view these processes through the mapping process described here.

This is it. Create blueprints and research methods& quot; the tense cycle of life; it was mentioned in the previous article.

What I am interested in introversion and self analysis(that is!) Of course, I have created some form and indulged in some visual expression, which is a direct response to the knowledge of artists(absolutely valuable and inspirational) and the existence of modern theories, not an independent proposal or a try to visualize/explain the theory in cooperation with theoretical physicists.

On the contrary, I belong to it. Group”(Contemporary painter type) has created contemporary visual expression and artistic language, but it originates from traditional expression skills and directions(therefore, the above cognitive creation process can be applied to the entire group). For me, Western Europe(minimalism, reductionism, expressionism, informalism, etc.) and East Asia(Zen?) It is about the practice and methods of mixture.

But” Hide space size” quot;(References) Strange curved space”(References) Duality” quot;(References) Mirror symmetry” Other terms found in the physical theory of strings are those we must apply. If we want to accurately describe some art(traditional and non modern) methods and techniques proposed by some art theorists, especially these basic calligraphy and ink painting(Sumi-E).

How to explain? Where does this eternal contemporary state come from?

If we recognize and acknowledge the authenticity of the next creative mechanism, we can correctly explain it. “Artistic mind” That is, when it runs simultaneously with the assumed multi-dimensional; reality” According to the nature and structure of this reality(here is the assumed string, and then its own structure/structure), it is obviously spontaneous(surrealist automatic drawing and painting?) , and drag these lines to an enlarged 1D string for description; the most reasonable path through gravity and seemingly empty space” Try to reveal the essence of the motif on the surface of the paper.

That’s why. Artistic mind In some formats, you can precede or parallel. Scientific thinking Therefore, if other methods are used(the classic rational/rational and irrational/sensory dichotomy is abolished according to the moment of cognition), the same or similar opinions can be obtained.

Albert Einstein, Michael Faraday, Nicola Tesla and other great scientists reported that they used psychological images to describe their thinking processes. The research also found that psychological image plays a central role in many scientific construction and evaluation. Thinking experiment; scientists psychologically evaluate the significance of specific assumptions.

Research and creation continue. Perhaps it is for the ideal of artists and scientists.

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